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home > Beijing > Theatre > Beijing People’s Art Theatre International Festival -- From Moscow to Petushki

Beijing People’s Art Theatre International Festival -- From Moscow to Petushki

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Provocative stage-director Andriy Zholdak (Russia-Germany) invites the audiences to undertake a steep route rom gold-domed Moscow to godforsaken Petushki. It is a journey in one’s own self, a trip from Russia to Russia.

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  • 2014.03.14-2014.03.16
  • The Capital Theatre Taxi Printout
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Language: Russian with Chinese and English Subtitles

Premiere – October 7, 2010 

Running time – 3 hours 45 minutes with one interval


By: Venedict Erofeev

Play: Andriy Zholdak, Valerii Zholdak (Ukraine)

Directed by Andriy Zholdak Tobilevich IV

Set design by Tita Dimova (Bulgaria), Andriy Zholdak 

Costumes by Tomas Lampinen (Finland)

Music design by Sergei Patramanskii (Russia)

Light by Konstantin Udovichenko (Russia), Tita Dimova, Andriy Zholdak

Stage managers – Dariya Volkova, Mariya Gdalina, Elena Popova


Performed by:

Vladas Bagdonas    Leonid Alimov     Aleksandr Peredkov     Anton Bagrov     Iliya Borisov    Vitalii Grigoriev

Yulia Gorbatenko    Aleksandra Kuznetsova     Natalia Parashkina      Ekaterina Reshetnikov     Dasha Stepanova



Provocative stage-director Andriy Zholdak (Russia-Germany) invites the audiences to undertake a steep route rom gold-domed 

Moscow to godforsaken Petushki. It is a journey in one’s own self, a trip from Russia to Russia. 


The performance is full of riddles which everyone wants to solve. By the wish of the director the main role is performed by 

two actors at once. The part of Venedict is played by Lithuanian actor Vladas Bagdonas, known first of all, thanking to his 

playing leading parts in the performances staged by director Eimuntas Nekrosius. Leonid Alimov, one of the most prominent 

St. Petersburg actors, plays Venichka. Astrange guardian angel helps the hero not to perish during the trip along his life. 

He saves him in his sleep and reality protecting from strange beasts and stray people. 


This trip back to the future takes place in the illusory dim world on the waves of the memory with customary stops. The 

theme of great Russian 40-percent “elixir of life” is not principal here, but frank talks about essence of the life are not 

impossible without it. 


From Homeric laughter through anguished sorrow one moves looking for a true sense for all happening in Russia. People lived 

here in this way during stagnant years, so they do now. Will we live in the same way further on? The performance leaves this 

question without answer. Everybody can think about own answer himself.



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